Stocks & Sauces

Lulu’s Beef Stock

This is a beef stock recipe from Lulu Cox, formerly of Rochelle Canteen, an iconic whitewashed restaurant tucked into a converted school building in east London. Known for its ever-changing, seasonal menu and quiet commitment to good ingredients, Rochelle Canteen champions simplicity done well. Lulu’s approach reflects this ethos. Her stock is unfussy, practical, and deeply flavourful – the kind that forms the backbone of countless dishes, from sauces to stews, with nothing wasted and everything in balance.

Prep time: 15 minutes

Cook time: 6 hours

Ingredients

Method

  1. Roast the Bones
    Preheat your oven to 200°C. Place the beef bones into a large oven tray and roast for at least 30 minutes. Make sure the bones have space to brown evenly—don’t pile them up. Flip them halfway through to ensure a rich, golden colour.
  2. Prepare the Vegetables
    While the bones are roasting, roughly chop your vegetables. These will form the base of your stock.
  3. Brown the Vegetables
    Heat a large pot over high heat, add a scant tablespoon of olive oil, and toss in the vegetables. Cook for about 5 minutes, stirring occasionally, until they are golden. Avoid letting them sweat down; caramelisation is essential for flavour.
  4. Combine Bones and Deglaze
    Transfer the roasted bones to the pot. Use a spatula to scrape up any caramelised bits from the roasting tray and add them as well—these are packed with flavour.
  5. Add Water and Aromatics
    Add enough cold water to just cover the bones. Place your aromatics on top and gently bring the stock to a boil. Keep an eye on the pot and skim off any foam or scum that rises to the surface. Avoid stirring to keep the stock clear.
  6. Simmer the Stock
    Reduce the heat to low and let the stock simmer gently for 4–6 hours. Look for a steady bubble every few seconds.
  7. Cool and Strain
    Remove the pot from the heat and let the stock cool slightly. The meat on the bones should now be bland, indicating all the flavour has transferred to the stock. Strain the stock through a fine sieve into containers.
  8. Store the Stock
    Let the stock cool completely before transferring it to airtight containers. Skim off any fat that has settled on the surface before use.
  9. Enjoy Your Beef Stock
    Your beef stock is now ready to use in soups, stews, sauces, or gravies. If not used immediately, it can be stored in the fridge for up to one week or frozen for up to three months.

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  • Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton.

It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits.

Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat.

That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton.

There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
  • Kindred spirits. Hot pans. Spiced mutton.
Swaledale x Canton Arms supper.
Wednesday 25 February.
To book email Thecantonarms@gmail.com

@cantonarms
  • Winter and its cold hands have us fully in a tight embrace right now. And so we find ourselves cooking more often than not, to warm our souls.

A ham at the weekend is one such thing that does the job. It can be used for all kinds of dishes and provide your weekdays with a plethora of fine sandwiches. But this fine cut also produces something else. An excellent, warming stock that should not be thrown away.

In fact, it should be used to make something just as special. A deep, hearty split pea and ham soup. And here is @grylos showing you how to do it. Like most things, if you cook with time and consideration, the by-product is often just as good as the main event.
  • Ask yourself this. When did you last have a really good pork chop?

This is why we keep coming back to it. Native, rare breed pork. Dry aged on the bone. Proper depth of flavour. Nothing like the pale, wet stuff you see elsewhere.

These are our Pork Chops with Rosemary and Anchovy Butter. Two thick, rindless chops. Two discs of handmade compound butter. Anchovy, rosemary, lemon zest, a little shallot. Old friends. It works.
  • Fancy a bit of a butcher’s tip? Or a hack, if you will. Well look no further. 

Here, @grylos, gets creative with a joint of boned and rolled beef rump, creating three, totally different meals, from the one piece of meat. A great example of some leftfield thinking and the perfect way to add a little variety into your weekly meal planning. Along the spectrum from raw to medium, your week could go a little something like this; tartare and toast lightly rubbed with garlic for lunch on Wednesday; steak night on Friday night, with chips, good red wine and a bowl of bearnaise; a roast dinner on Sunday. Bob’s your uncle, Fanny’s your aunt and a carnivorous and hugely satisfying week of eating is complete. 

All that from a single rolled rump of beef! A life hack if I ever saw one…

Did you know that our rumps won 3 stars at the Great Taste Awards? 3-star rump, you can’t argue with that!
  • Do you love bacon?

Here’s our in house science and history teacher, @grylos, talking osmosis, salt, and the slow work of dry curing bacon.
  • Burns Night, 25 January.

Two pastry wrapped tributes to Robert Burns.
Made with chef Josh Whitehead of @finer_pleasures.

A haggis sausage roll with coarse cut native breed pork.
A hot water crust pie of mutton and lamb haggis, oats, onions and spice.

Food for a cold night.
  • On many a recipe, the instruction ‘brown your mince’ is set out plainly enough. And yet, deep into January, when slow cooking is very much back on the table and recipes keep asking for the same thing, it feels worth saying that this is meant quite literally. Brown your mince. It does not say grey it.

Browning is a process, not a gesture. It takes time, heat, and a little patience, and what you are doing is building flavour, not simply warming meat through. When mince is rushed, crowded into the pan, stirred too soon, it stews. It turns grey. The moisture stays put and the flavour never quite arrives.

So here is @grylos , taking a moment to explain the difference, and to remind you that if you want the most from good produce, you have to let it work. Give it space. Leave it alone long enough to colour properly. Let it smell right before you move on.

Because this is slow food month, after all. There is no need to hurry. Take your time, do it properly, and you will taste the difference in the finished dish.
Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton.

It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits.

Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat.

That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton.

There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton.

It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits.

Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat.

That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton.

There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton.

It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits.

Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat.

That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton.

There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton.

It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits.

Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat.

That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton.

There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton. It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits. Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat. That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton. There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
5 days ago
441
View on Instagram |
1/8
Kindred spirits. Hot pans. Spiced mutton. Swaledale x Canton Arms supper. Wednesday 25 February. To book email Thecantonarms@gmail.com @cantonarms
6 days ago
1486
View on Instagram |
2/8
Winter and its cold hands have us fully in a tight embrace right now. And so we find ourselves cooking more often than not, to warm our souls. A ham at the weekend is one such thing that does the job. It can be used for all kinds of dishes and provide your weekdays with a plethora of fine sandwiches. But this fine cut also produces something else. An excellent, warming stock that should not be thrown away. In fact, it should be used to make something just as special. A deep, hearty split pea and ham soup. And here is @grylos showing you how to do it. Like most things, if you cook with time and consideration, the by-product is often just as good as the main event.
2 weeks ago
13716
View on Instagram |
3/8
Ask yourself this. When did you last have a really good pork chop?

This is why we keep coming back to it. Native, rare breed pork. Dry aged on the bone. Proper depth of flavour. Nothing like the pale, wet stuff you see elsewhere.

These are our Pork Chops with Rosemary and Anchovy Butter. Two thick, rindless chops. Two discs of handmade compound butter. Anchovy, rosemary, lemon zest, a little shallot. Old friends. It works.
Ask yourself this. When did you last have a really good pork chop?

This is why we keep coming back to it. Native, rare breed pork. Dry aged on the bone. Proper depth of flavour. Nothing like the pale, wet stuff you see elsewhere.

These are our Pork Chops with Rosemary and Anchovy Butter. Two thick, rindless chops. Two discs of handmade compound butter. Anchovy, rosemary, lemon zest, a little shallot. Old friends. It works.
Ask yourself this. When did you last have a really good pork chop? This is why we keep coming back to it. Native, rare breed pork. Dry aged on the bone. Proper depth of flavour. Nothing like the pale, wet stuff you see elsewhere. These are our Pork Chops with Rosemary and Anchovy Butter. Two thick, rindless chops. Two discs of handmade compound butter. Anchovy, rosemary, lemon zest, a little shallot. Old friends. It works.
3 weeks ago
472
View on Instagram |
4/8
Fancy a bit of a butcher’s tip? Or a hack, if you will. Well look no further. Here, @grylos, gets creative with a joint of boned and rolled beef rump, creating three, totally different meals, from the one piece of meat. A great example of some leftfield thinking and the perfect way to add a little variety into your weekly meal planning. Along the spectrum from raw to medium, your week could go a little something like this; tartare and toast lightly rubbed with garlic for lunch on Wednesday; steak night on Friday night, with chips, good red wine and a bowl of bearnaise; a roast dinner on Sunday. Bob’s your uncle, Fanny’s your aunt and a carnivorous and hugely satisfying week of eating is complete. All that from a single rolled rump of beef! A life hack if I ever saw one… Did you know that our rumps won 3 stars at the Great Taste Awards? 3-star rump, you can’t argue with that!
3 weeks ago
2555
View on Instagram |
5/8
Do you love bacon? Here’s our in house science and history teacher, @grylos, talking osmosis, salt, and the slow work of dry curing bacon.
4 weeks ago
3558
View on Instagram |
6/8
Burns Night, 25 January.

Two pastry wrapped tributes to Robert Burns.
Made with chef Josh Whitehead of @finer_pleasures.

A haggis sausage roll with coarse cut native breed pork.
A hot water crust pie of mutton and lamb haggis, oats, onions and spice.

Food for a cold night.
Burns Night, 25 January.

Two pastry wrapped tributes to Robert Burns.
Made with chef Josh Whitehead of @finer_pleasures.

A haggis sausage roll with coarse cut native breed pork.
A hot water crust pie of mutton and lamb haggis, oats, onions and spice.

Food for a cold night.
Burns Night, 25 January.

Two pastry wrapped tributes to Robert Burns.
Made with chef Josh Whitehead of @finer_pleasures.

A haggis sausage roll with coarse cut native breed pork.
A hot water crust pie of mutton and lamb haggis, oats, onions and spice.

Food for a cold night.
Burns Night, 25 January.

Two pastry wrapped tributes to Robert Burns.
Made with chef Josh Whitehead of @finer_pleasures.

A haggis sausage roll with coarse cut native breed pork.
A hot water crust pie of mutton and lamb haggis, oats, onions and spice.

Food for a cold night.
Burns Night, 25 January.

Two pastry wrapped tributes to Robert Burns.
Made with chef Josh Whitehead of @finer_pleasures.

A haggis sausage roll with coarse cut native breed pork.
A hot water crust pie of mutton and lamb haggis, oats, onions and spice.

Food for a cold night.
Burns Night, 25 January.

Two pastry wrapped tributes to Robert Burns.
Made with chef Josh Whitehead of @finer_pleasures.

A haggis sausage roll with coarse cut native breed pork.
A hot water crust pie of mutton and lamb haggis, oats, onions and spice.

Food for a cold night.
Burns Night, 25 January. Two pastry wrapped tributes to Robert Burns. Made with chef Josh Whitehead of @finer_pleasures. A haggis sausage roll with coarse cut native breed pork. A hot water crust pie of mutton and lamb haggis, oats, onions and spice. Food for a cold night.
4 weeks ago
1166
View on Instagram |
7/8
On many a recipe, the instruction ‘brown your mince’ is set out plainly enough. And yet, deep into January, when slow cooking is very much back on the table and recipes keep asking for the same thing, it feels worth saying that this is meant quite literally. Brown your mince. It does not say grey it. Browning is a process, not a gesture. It takes time, heat, and a little patience, and what you are doing is building flavour, not simply warming meat through. When mince is rushed, crowded into the pan, stirred too soon, it stews. It turns grey. The moisture stays put and the flavour never quite arrives. So here is @grylos , taking a moment to explain the difference, and to remind you that if you want the most from good produce, you have to let it work. Give it space. Leave it alone long enough to colour properly. Let it smell right before you move on. Because this is slow food month, after all. There is no need to hurry. Take your time, do it properly, and you will taste the difference in the finished dish.
1 month ago
2787
View on Instagram |
8/8