Beef Recipes

Beef Ossobuco with Bone Marrow & Seasonal Sides

By
Swaledale-Beef-Ossobuco

This beef ossobuco recipe, often referred to as braised beef shanks, is a mouth-watering Italian comfort dish traditionally made with veal. This simple slow-cooked recipe is delicious all year round. In spring or summer, I recommend serving it with buttery boiled potatoes and roasted purple sprouting broccoli with feta and preserved lemon. For autumn or winter, creamy mashed potatoes or soft polenta are perfect accompaniments. And whatever you do, don’t forget to enjoy the bone marrow!

Serves: 4

Prep time: 30 minutes

Cook time: 3 hours

Ingredients

Method

  1. Preheat the oven to 165°C.
  2. Use a heavy casserole dish with a lid for this recipe. Place the casserole over medium-high heat and add 2 tablespoons of oil. Season the flour and lightly coat the beef ossobuco, tapping off any excess.
  3. Fry the ossobuco on both sides until you achieve a deep caramel colour. Occasionally, the outer layer of connective tissue may tighten and cause the meat to contort. If this happens, use a pair of scissors to make 2 or 3 small snips where the meat looks strained or twisted – this should allow it to relax back to its original shape. Once the meat is coloured, set it aside.
  4. Add the remaining olive oil to the pot, along with the onions and celery, and season. Turn the heat down and sweat gently for 5-minutes. Then add the garlic and rosemary, continuing to sweat for another 10-minutes.
  5. Meanwhile, bring a small pot of water to the boil. Make a cross at the bottom of each tomato and place them in the boiling water for 30-seconds. Remove the tomatoes and plunge them into ice-cold water – this should loosen the skins for easy peeling. If using tinned tomatoes, you can skip this step.
  6. After the onion and celery have softened, add the meat back into the pot along with the bay leaves. Gently nestle in the tomatoes. Pour over the wine and bring the mixture to a simmer.
  7. Cover with greaseproof paper, place the lid on the casserole, and transfer it to the oven.
  8. After an hour and a half, flip the ossobuco over and return it to the oven.
  9. After another hour, check the meat – it should pull away easily from the bone. If it doesn’t, return it to the oven and check again in 30-minutes.
  10. Once the meat is ready, the sauce should be rich and silky. If the sauce is still a bit thin, remove the meat and boil the sauce rapidly until it becomes thick and unctuous.

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Anna commenced her cookery career under Jeremy Lee at the Blueprint Café and rose to the challenge of head chef at Rochelle Canteen. However, Anna’s classical cookery education, and much of what inspires her signature unpretentious European fare harks back to her childhood.

The daughter of Serbian parents, Anna spent much of her youth with her hands in French and Italian soil, assisting her grandparents in their vegetable gardens. These formative experiences with field to plate food production inform much of Anna’s focus on seasonal ingredients, and her mantra of keeping it simple.

Anna and her partners (the team behind 40 Maltby Street) launched Café Deco in November 2020; the timing of which really tested her mettle. However, the demand for simple, honest food, executed well, has seen Anna establish Café Deco as a sought-after destination restaurant.

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  • Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton. It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits. Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat. That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton. There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
  • Kindred spirits. Hot pans. Spiced mutton. Swaledale x Canton Arms supper. Wednesday 25 February. To book email Thecantonarms@gmail.com @cantonarms
  • Winter and its cold hands have us fully in a tight embrace right now. And so we find ourselves cooking more often than not, to warm our souls. A ham at the weekend is one such thing that does the job. It can be used for all kinds of dishes and provide your weekdays with a plethora of fine sandwiches. But this fine cut also produces something else. An excellent, warming stock that should not be thrown away. In fact, it should be used to make something just as special. A deep, hearty split pea and ham soup. And here is @grylos showing you how to do it. Like most things, if you cook with time and consideration, the by-product is often just as good as the main event.
  • Ask yourself this. When did you last have a really good pork chop? This is why we keep coming back to it. Native, rare breed pork. Dry aged on the bone. Proper depth of flavour. Nothing like the pale, wet stuff you see elsewhere. These are our Pork Chops with Rosemary and Anchovy Butter. Two thick, rindless chops. Two discs of handmade compound butter. Anchovy, rosemary, lemon zest, a little shallot. Old friends. It works.
  • Fancy a bit of a butcher’s tip? Or a hack, if you will. Well look no further. Here, @grylos, gets creative with a joint of boned and rolled beef rump, creating three, totally different meals, from the one piece of meat. A great example of some leftfield thinking and the perfect way to add a little variety into your weekly meal planning. Along the spectrum from raw to medium, your week could go a little something like this; tartare and toast lightly rubbed with garlic for lunch on Wednesday; steak night on Friday night, with chips, good red wine and a bowl of bearnaise; a roast dinner on Sunday. Bob’s your uncle, Fanny’s your aunt and a carnivorous and hugely satisfying week of eating is complete. All that from a single rolled rump of beef! A life hack if I ever saw one… Did you know that our rumps won 3 stars at the Great Taste Awards? 3-star rump, you can’t argue with that!
  • Do you love bacon? Here’s our in house science and history teacher, @grylos, talking osmosis, salt, and the slow work of dry curing bacon.
  • Burns Night, 25 January. Two pastry wrapped tributes to Robert Burns. Made with chef Josh Whitehead of @finer_pleasures. A haggis sausage roll with coarse cut native breed pork. A hot water crust pie of mutton and lamb haggis, oats, onions and spice. Food for a cold night.
  • On many a recipe, the instruction ‘brown your mince’ is set out plainly enough. And yet, deep into January, when slow cooking is very much back on the table and recipes keep asking for the same thing, it feels worth saying that this is meant quite literally. Brown your mince. It does not say grey it. Browning is a process, not a gesture. It takes time, heat, and a little patience, and what you are doing is building flavour, not simply warming meat through. When mince is rushed, crowded into the pan, stirred too soon, it stews. It turns grey. The moisture stays put and the flavour never quite arrives. So here is @grylos , taking a moment to explain the difference, and to remind you that if you want the most from good produce, you have to let it work. Give it space. Leave it alone long enough to colour properly. Let it smell right before you move on. Because this is slow food month, after all. There is no need to hurry. Take your time, do it properly, and you will taste the difference in the finished dish.
Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton. It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits. Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat. That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton. There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton. It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits. Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat. That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton. There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton. It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits. Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat. That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton. There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton. It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits. Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat. That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton. There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
@swaledalebutchers
@swaledalebutchers
•
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Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton. It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits. Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat. That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton. There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
7 hours ago
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@swaledalebutchers
@swaledalebutchers
•
Follow
Kindred spirits. Hot pans. Spiced mutton. Swaledale x Canton Arms supper. Wednesday 25 February. To book email Thecantonarms@gmail.com @cantonarms
1 day ago
1352
View on Instagram |
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@swaledalebutchers
@swaledalebutchers
•
Follow
Winter and its cold hands have us fully in a tight embrace right now. And so we find ourselves cooking more often than not, to warm our souls. A ham at the weekend is one such thing that does the job. It can be used for all kinds of dishes and provide your weekdays with a plethora of fine sandwiches. But this fine cut also produces something else. An excellent, warming stock that should not be thrown away. In fact, it should be used to make something just as special. A deep, hearty split pea and ham soup. And here is @grylos showing you how to do it. Like most things, if you cook with time and consideration, the by-product is often just as good as the main event.
7 days ago
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Ask yourself this. When did you last have a really good pork chop? This is why we keep coming back to it. Native, rare breed pork. Dry aged on the bone. Proper depth of flavour. Nothing like the pale, wet stuff you see elsewhere. These are our Pork Chops with Rosemary and Anchovy Butter. Two thick, rindless chops. Two discs of handmade compound butter. Anchovy, rosemary, lemon zest, a little shallot. Old friends. It works.
Ask yourself this. When did you last have a really good pork chop? This is why we keep coming back to it. Native, rare breed pork. Dry aged on the bone. Proper depth of flavour. Nothing like the pale, wet stuff you see elsewhere. These are our Pork Chops with Rosemary and Anchovy Butter. Two thick, rindless chops. Two discs of handmade compound butter. Anchovy, rosemary, lemon zest, a little shallot. Old friends. It works.
@swaledalebutchers
@swaledalebutchers
•
Follow
Ask yourself this. When did you last have a really good pork chop? This is why we keep coming back to it. Native, rare breed pork. Dry aged on the bone. Proper depth of flavour. Nothing like the pale, wet stuff you see elsewhere. These are our Pork Chops with Rosemary and Anchovy Butter. Two thick, rindless chops. Two discs of handmade compound butter. Anchovy, rosemary, lemon zest, a little shallot. Old friends. It works.
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View on Instagram |
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@swaledalebutchers
@swaledalebutchers
•
Follow
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2 weeks ago
2555
View on Instagram |
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@swaledalebutchers
@swaledalebutchers
•
Follow
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3 weeks ago
3518
View on Instagram |
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Burns Night, 25 January. Two pastry wrapped tributes to Robert Burns. Made with chef Josh Whitehead of @finer_pleasures. A haggis sausage roll with coarse cut native breed pork. A hot water crust pie of mutton and lamb haggis, oats, onions and spice. Food for a cold night.
Burns Night, 25 January. Two pastry wrapped tributes to Robert Burns. Made with chef Josh Whitehead of @finer_pleasures. A haggis sausage roll with coarse cut native breed pork. A hot water crust pie of mutton and lamb haggis, oats, onions and spice. Food for a cold night.
Burns Night, 25 January. Two pastry wrapped tributes to Robert Burns. Made with chef Josh Whitehead of @finer_pleasures. A haggis sausage roll with coarse cut native breed pork. A hot water crust pie of mutton and lamb haggis, oats, onions and spice. Food for a cold night.
Burns Night, 25 January. Two pastry wrapped tributes to Robert Burns. Made with chef Josh Whitehead of @finer_pleasures. A haggis sausage roll with coarse cut native breed pork. A hot water crust pie of mutton and lamb haggis, oats, onions and spice. Food for a cold night.
Burns Night, 25 January. Two pastry wrapped tributes to Robert Burns. Made with chef Josh Whitehead of @finer_pleasures. A haggis sausage roll with coarse cut native breed pork. A hot water crust pie of mutton and lamb haggis, oats, onions and spice. Food for a cold night.
Burns Night, 25 January. Two pastry wrapped tributes to Robert Burns. Made with chef Josh Whitehead of @finer_pleasures. A haggis sausage roll with coarse cut native breed pork. A hot water crust pie of mutton and lamb haggis, oats, onions and spice. Food for a cold night.
@swaledalebutchers
@swaledalebutchers
•
Follow
Burns Night, 25 January. Two pastry wrapped tributes to Robert Burns. Made with chef Josh Whitehead of @finer_pleasures. A haggis sausage roll with coarse cut native breed pork. A hot water crust pie of mutton and lamb haggis, oats, onions and spice. Food for a cold night.
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View on Instagram |
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@swaledalebutchers
@swaledalebutchers
•
Follow
On many a recipe, the instruction ‘brown your mince’ is set out plainly enough. And yet, deep into January, when slow cooking is very much back on the table and recipes keep asking for the same thing, it feels worth saying that this is meant quite literally. Brown your mince. It does not say grey it. Browning is a process, not a gesture. It takes time, heat, and a little patience, and what you are doing is building flavour, not simply warming meat through. When mince is rushed, crowded into the pan, stirred too soon, it stews. It turns grey. The moisture stays put and the flavour never quite arrives. So here is @grylos , taking a moment to explain the difference, and to remind you that if you want the most from good produce, you have to let it work. Give it space. Leave it alone long enough to colour properly. Let it smell right before you move on. Because this is slow food month, after all. There is no need to hurry. Take your time, do it properly, and you will taste the difference in the finished dish.
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2787
View on Instagram |
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