Pork Recipes

Braised Shoulder of Pork in Milk with Polenta & Crispy Sage

Pork shoulder in a casserole dish cooked in milk with polenta and crispy sage.

Braised Pork Shoulder in Milk with Polenta & Crispy Sage: The shoulder is slowly braised until you can pull it apart with a spoon and a fork, given an unusual lift by the curdled milk. All sitting on a comforting, parmesan-fuelled, bed of polenta — that great stalwart of Northern Italian cooking.

This might sound a little strange if it is something that you have never come across before — it certainly blew my mum’s mind when I told her I was cooking it. But it is a traditional old method for cooking pork, although I think usually a loin, and returns a distinctive and pleasing flavour. As the milk curdles in the cooking process, it lends an almost cheesy tang to the pork, whilst its great friends sage and fennel are there to help add a more familiar edge.

Serves: 6-7

Cook time: 4 hours 30 minutes

Ingredients

Pork

Polenta

Crispy Sage

Method

Start With The Pork Shoulder, Which Needs A Slow Cook

  1. Preheat your oven to 125°C.
  2. Find a casserole pot with a lid that fits and place it over a medium heat, with half a tablespoon of olive oil.
  3. Season the pork well with salt and black pepper and add it to the pan. We want to colour the fat off a little bit to start building the layers of flavour and also release some lovely pork fat into the pan. Colour the shoulder evenly on all sides and then the fennel seeds and garlic. Let them fry briefly in the fat before adding the milk, sage, lemon zest, and the remaining olive oil.
  4. Season the pan with salt and turn the heat down to low. It is relatively easy for the milk to catch and burn on the bottom of the pan — this will ruin the dish, so be wary.
  5. Let the milk come up to a simmer, fit the lid and place it in the oven. Set a timer for 4 hours.
  6. After 4 hours, remove the pan from the oven and check the meat by inserting a small knife into the joint. It should feel soft, as if with slightly more pressure, the whole thing might just fall apart. If it is still a little firm, then return it to the oven and check after another half an hour. Do not be alarmed by what you are seeing, the milk will have curdled and possibly not look too appealing, but it is all part of the plan, so go with it. If the shoulder is cooked, then leave to one side to rest and cool slightly.

For The Polenta

  1. In a large heavy bottomed pan, bring the water, plus a good pinch of salt, to the boil. Add the olive oil.
  2. Have a whisk to hand. Whisk the water and begin adding the polenta in a steady stream, whisking continuously. Once all the polenta is in, then turn the heat down as low as possible.
  3. Swap the whisk for a wooden spoon. Let the polenta cook on this low heat for about 45 minutes, stirring regularly. You will notice that it will thicken very quickly as the grains cook. If the heat is too high, then polenta can bubble and spit — like lava. Try to avoid this as it will be very hot and can burn.
  4. Add the butter and parmesan and stir continuously until both have melted completely. At this stage, it should, in terms of consistency, resemble a loose mashed potato. If it seems a little firm, then loosen with a splash of water.
  5. Keep the polenta warm until you serve. When the polenta is allowed to cool, it makes a good substitute for cement (don’t actually try to build anything with it), not what this dish calls for.

Just Before Serving

  1. Heat about 250ml of vegetable oil in a pan — approximately an inch.
  2. Carefully dip the tip of a sage leaf in the oil to check its temperature. It should instantly begin to sizzle but not burn. About 170°C, if you have a thermometer.
  3. In batches, add the sage leaves to the oil. The leaves will sizzle quite aggressively at first, but will calm down fairly quickly as the moisture in the leaves evaporates, leaving us with a crispy finish.  We are looking for a crispy, dark green leaf, not a burned one. If they are burning, then turn the heat down.
  4. Season with salt as they come out of the oil.To serve, remove the pork from the pan and pull it apart with a fork. Serve it on a good dollop of polenta, with a little of the cooking liquor. Adorn with crispy sage leaves and enjoy!

Order meat online

Instagram

  • We have all seen the videos. A chicken arrives. Five neat strokes of a knife. It falls apart as if by magic. That comes from thirty years at the block. Most of us do not have that.

So here is a slightly more Radio 4 approach.

A calm, sensible way to take a good chicken and break it down at home. Nothing flashy. Just understanding the joints, working with the bone, and giving each part the respect it deserves. When you do that, you open up a week (almost) of meals. Breasts cooked one way. Legs another. A carcass that becomes stock rather than waste. More on that to follow.

The only things you truly need are a great chicken and a proper knife. Ours is a beautiful honsuki knife kindly supplied by @kitchenprovisions and it does the job expertly. Sharp. Balanced. Delightful.

Watch along as @grylos talks it through.
  • Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton.

It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits.

Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat.

That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton.

There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
  • Kindred spirits. Hot pans. Spiced mutton.
Swaledale x Canton Arms supper.
Wednesday 25 February.
To book email Thecantonarms@gmail.com

@cantonarms
  • Winter and its cold hands have us fully in a tight embrace right now. And so we find ourselves cooking more often than not, to warm our souls.

A ham at the weekend is one such thing that does the job. It can be used for all kinds of dishes and provide your weekdays with a plethora of fine sandwiches. But this fine cut also produces something else. An excellent, warming stock that should not be thrown away.

In fact, it should be used to make something just as special. A deep, hearty split pea and ham soup. And here is @grylos showing you how to do it. Like most things, if you cook with time and consideration, the by-product is often just as good as the main event.
  • Ask yourself this. When did you last have a really good pork chop?

This is why we keep coming back to it. Native, rare breed pork. Dry aged on the bone. Proper depth of flavour. Nothing like the pale, wet stuff you see elsewhere.

These are our Pork Chops with Rosemary and Anchovy Butter. Two thick, rindless chops. Two discs of handmade compound butter. Anchovy, rosemary, lemon zest, a little shallot. Old friends. It works.
  • Fancy a bit of a butcher’s tip? Or a hack, if you will. Well look no further. 

Here, @grylos, gets creative with a joint of boned and rolled beef rump, creating three, totally different meals, from the one piece of meat. A great example of some leftfield thinking and the perfect way to add a little variety into your weekly meal planning. Along the spectrum from raw to medium, your week could go a little something like this; tartare and toast lightly rubbed with garlic for lunch on Wednesday; steak night on Friday night, with chips, good red wine and a bowl of bearnaise; a roast dinner on Sunday. Bob’s your uncle, Fanny’s your aunt and a carnivorous and hugely satisfying week of eating is complete. 

All that from a single rolled rump of beef! A life hack if I ever saw one…

Did you know that our rumps won 3 stars at the Great Taste Awards? 3-star rump, you can’t argue with that!
  • Do you love bacon?

Here’s our in house science and history teacher, @grylos, talking osmosis, salt, and the slow work of dry curing bacon.
  • Burns Night, 25 January.

Two pastry wrapped tributes to Robert Burns.
Made with chef Josh Whitehead of @finer_pleasures.

A haggis sausage roll with coarse cut native breed pork.
A hot water crust pie of mutton and lamb haggis, oats, onions and spice.

Food for a cold night.
We have all seen the videos. A chicken arrives. Five neat strokes of a knife. It falls apart as if by magic. That comes from thirty years at the block. Most of us do not have that. So here is a slightly more Radio 4 approach. A calm, sensible way to take a good chicken and break it down at home. Nothing flashy. Just understanding the joints, working with the bone, and giving each part the respect it deserves. When you do that, you open up a week (almost) of meals. Breasts cooked one way. Legs another. A carcass that becomes stock rather than waste. More on that to follow. The only things you truly need are a great chicken and a proper knife. Ours is a beautiful honsuki knife kindly supplied by @kitchenprovisions and it does the job expertly. Sharp. Balanced. Delightful. Watch along as @grylos talks it through.
16 hours ago
361
View on Instagram |
1/8
Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton.

It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits.

Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat.

That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton.

There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton.

It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits.

Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat.

That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton.

There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton.

It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits.

Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat.

That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton.

There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton.

It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits.

Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat.

That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton.

There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
Mutton has earned itself an unfair reputation. For centuries it was simply the meat we ate. Lamb is, in many ways, the modern preference, made possible by refrigeration and global trade. Before that shift, it would have made little sense to slaughter an animal before it had lived fully and bred. Sheep were kept for wool and continuity, and when their working life was complete, they became mutton. It was part of a cycle. Practical and sustaining. What changed was not the meat, but our habits. Yet not all mutton is equal. Age alone does not create depth. Mutton reflects the life it has lived. When sheep are kept longer and allowed to graze widely on varied forage, moorland grasses and herbal leys, time and terrain build complexity into the muscle and fat. That is the mutton we favour and source. Darker, firmer and deeper in flavour, shaped by prolonged grazing on moorland such as this, just outside Skipton. There was once a rhythm between wool on our backs and mutton on our tables. Perhaps that rhythm still makes sense.
7 days ago
461
View on Instagram |
2/8
Kindred spirits. Hot pans. Spiced mutton. Swaledale x Canton Arms supper. Wednesday 25 February. To book email Thecantonarms@gmail.com @cantonarms
1 week ago
1496
View on Instagram |
3/8
Winter and its cold hands have us fully in a tight embrace right now. And so we find ourselves cooking more often than not, to warm our souls. A ham at the weekend is one such thing that does the job. It can be used for all kinds of dishes and provide your weekdays with a plethora of fine sandwiches. But this fine cut also produces something else. An excellent, warming stock that should not be thrown away. In fact, it should be used to make something just as special. A deep, hearty split pea and ham soup. And here is @grylos showing you how to do it. Like most things, if you cook with time and consideration, the by-product is often just as good as the main event.
2 weeks ago
14016
View on Instagram |
4/8
Ask yourself this. When did you last have a really good pork chop?

This is why we keep coming back to it. Native, rare breed pork. Dry aged on the bone. Proper depth of flavour. Nothing like the pale, wet stuff you see elsewhere.

These are our Pork Chops with Rosemary and Anchovy Butter. Two thick, rindless chops. Two discs of handmade compound butter. Anchovy, rosemary, lemon zest, a little shallot. Old friends. It works.
Ask yourself this. When did you last have a really good pork chop?

This is why we keep coming back to it. Native, rare breed pork. Dry aged on the bone. Proper depth of flavour. Nothing like the pale, wet stuff you see elsewhere.

These are our Pork Chops with Rosemary and Anchovy Butter. Two thick, rindless chops. Two discs of handmade compound butter. Anchovy, rosemary, lemon zest, a little shallot. Old friends. It works.
Ask yourself this. When did you last have a really good pork chop? This is why we keep coming back to it. Native, rare breed pork. Dry aged on the bone. Proper depth of flavour. Nothing like the pale, wet stuff you see elsewhere. These are our Pork Chops with Rosemary and Anchovy Butter. Two thick, rindless chops. Two discs of handmade compound butter. Anchovy, rosemary, lemon zest, a little shallot. Old friends. It works.
3 weeks ago
472
View on Instagram |
5/8
Fancy a bit of a butcher’s tip? Or a hack, if you will. Well look no further. Here, @grylos, gets creative with a joint of boned and rolled beef rump, creating three, totally different meals, from the one piece of meat. A great example of some leftfield thinking and the perfect way to add a little variety into your weekly meal planning. Along the spectrum from raw to medium, your week could go a little something like this; tartare and toast lightly rubbed with garlic for lunch on Wednesday; steak night on Friday night, with chips, good red wine and a bowl of bearnaise; a roast dinner on Sunday. Bob’s your uncle, Fanny’s your aunt and a carnivorous and hugely satisfying week of eating is complete. All that from a single rolled rump of beef! A life hack if I ever saw one… Did you know that our rumps won 3 stars at the Great Taste Awards? 3-star rump, you can’t argue with that!
3 weeks ago
2565
View on Instagram |
6/8
Do you love bacon? Here’s our in house science and history teacher, @grylos, talking osmosis, salt, and the slow work of dry curing bacon.
4 weeks ago
3568
View on Instagram |
7/8
Burns Night, 25 January.

Two pastry wrapped tributes to Robert Burns.
Made with chef Josh Whitehead of @finer_pleasures.

A haggis sausage roll with coarse cut native breed pork.
A hot water crust pie of mutton and lamb haggis, oats, onions and spice.

Food for a cold night.
Burns Night, 25 January.

Two pastry wrapped tributes to Robert Burns.
Made with chef Josh Whitehead of @finer_pleasures.

A haggis sausage roll with coarse cut native breed pork.
A hot water crust pie of mutton and lamb haggis, oats, onions and spice.

Food for a cold night.
Burns Night, 25 January.

Two pastry wrapped tributes to Robert Burns.
Made with chef Josh Whitehead of @finer_pleasures.

A haggis sausage roll with coarse cut native breed pork.
A hot water crust pie of mutton and lamb haggis, oats, onions and spice.

Food for a cold night.
Burns Night, 25 January.

Two pastry wrapped tributes to Robert Burns.
Made with chef Josh Whitehead of @finer_pleasures.

A haggis sausage roll with coarse cut native breed pork.
A hot water crust pie of mutton and lamb haggis, oats, onions and spice.

Food for a cold night.
Burns Night, 25 January.

Two pastry wrapped tributes to Robert Burns.
Made with chef Josh Whitehead of @finer_pleasures.

A haggis sausage roll with coarse cut native breed pork.
A hot water crust pie of mutton and lamb haggis, oats, onions and spice.

Food for a cold night.
Burns Night, 25 January.

Two pastry wrapped tributes to Robert Burns.
Made with chef Josh Whitehead of @finer_pleasures.

A haggis sausage roll with coarse cut native breed pork.
A hot water crust pie of mutton and lamb haggis, oats, onions and spice.

Food for a cold night.
Burns Night, 25 January. Two pastry wrapped tributes to Robert Burns. Made with chef Josh Whitehead of @finer_pleasures. A haggis sausage roll with coarse cut native breed pork. A hot water crust pie of mutton and lamb haggis, oats, onions and spice. Food for a cold night.
4 weeks ago
1166
View on Instagram |
8/8